There is a discernible arc of self analysis and discovery in the
paintings of Tom Joyce that over the years has moved from the
early eclectic appropriations of 17th and 18th century Spanish
painting to 20th century Surrealism, German Expressionism, American
Abstract Expressionism, and the timbre of Japanese art and architecture.
This
trajectory of influences has been distilled and coalesced into
a personal vision of abstract painting. The mood engendered is
one of laconic thought, unequivocally expressing strong and deeply
felt emotions, perilous reflection, in tumultuous and visceral
recollection, architectonic simplicity that hides within it a
deeply felt hermetic passion, a mood of dark quietism - a contemporary
mysticism that is genuine and unselfconscious, an acutely felt
dialectic on the nature of external and internal verities.
"Tumultuous Silence" 2000 Kevin Costello
He may be in his 80s, but his mind is young and fresh. Fearlessly,
Tom Joyce paints the visions of his mind's eye. It's a highly
evolved thing to do.
Marty Fugate , Art Speak, Sarasota Observer,
August 24, 2006
"Sarasota
Artist Finds Creative Voice Late In Life" ...demonstrates
a significant transcendence of influences...has arrived at a clear
and
authentic voice.
Kevin Costello, Sarasota Herald Tribune, August 6, 2006 |
“BIG
Exhibit Presents Big Ideas in Local Art" --Tom Joyce, one
of the area's most subtle abstractionists, makes painting as a
reflective pool for the psych...Deeply influenced by the aesthetics
of Japanese art.
Kevin Costello, Sarasota Herald Tribune, January 22, 2006
Tom Joyce...creates quietly seductive works that invite introspection
as well as tactile tension.
Mark Ormond, About Art, Pelican Press, December 22, 2005
...while he strives for harmony and balance in his work, he
is not adverse to accepting discord as a predominate element.
There is a minimal quality to his work that seems informed by
the restraint of certain abstract expressionist painters he admires.
Joyce also ascribes to the Asian belief that less is more and
“what is not perfect can have more value”...ideas
that interest Joyce such as simplicity, revelation and the harmony
of discord.
Greene
Contemporary Catalog, August 5-29, 2006
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